Chapter Wise Summary of Maps By Nuruddin Farah
( chapter 6- 12) 


𝘾𝙝𝙖𝙥𝙩𝙚𝙧 𝙎𝙞𝙭 

1

Askar, a young boy in the town of Kallafo, finds himself swept up in the fervor of war as the Western Somali Liberation Front fights against Ethiopian domination. The war becomes a defining moment for Askar, shaping his perception of manhood and his connection to his mother country, Somalia.

The onset of war marks a turning point for Askar, who sees it as an opportunity to prove himself as a man. He envisions a future where he might join the liberation front and become a flagbearer for the movement. The war brings a sense of ecstasy and self-abandonment to Kallafo, unlike anything experienced in Somali history.

In the midst of this, Askar undergoes a psychological transformation. He detaches himself from his mother-figure Misra, seeking a substitute in the form of Somalia, his mother country. This transition, from a personal mother to a collective motherland, represents a crucial self-discovery for Askar.

Misra, left alone and friendless, grapples with the changes brought about by the war. The town experiences disruptions, with schools closing, families relocating, and talk about the concept of "Motherland" becoming prevalent. Askar, on the other hand, revels in his newfound identity as a man and a leader among his peers.

As the war intensifies, Askar becomes an influential figure among the children in Kallafo. He organizes activities, leads groups, and engages in play that reflects the political atmosphere. The mention of "Somalia" is imbued with a sense of unity, portraying a connection between the motherland and the Ogaden, the region where Kallafo is located.

Despite Misra's isolation, Askar's allegiance shifts from her to the idealized notion of a nationhood embodied by Somalia. The war and its impact on the town lead to significant changes, both physically and emotionally. Askar's leadership among his peers solidifies, and he takes on a prominent role in their activities.

The narrative explores cultural and gender dynamics, touching on the significance of the terms "Motherland" and "Fatherland." Askar reflects on Somalia being portrayed as a woman in poetry, drawing parallels with a camel—the mother of men. This discussion with Misra delves into the cultural symbolism embedded in language and perception.

The story takes a darker turn when Askar falls ill, experiencing a peculiar ailment affecting his thinking and eyesight. Misra, deeply concerned, seeks remedies suggested by Aw-Adan and Uncle Qorrax. The cultural practices of blood-letting and cuudis are considered, but Askar rejects these suggestions.

His playful and mischievous nature surfaces as he suggests Aw-Adan use a cane instead of reading the Koran to heal him. This decision highlights Askar's skepticism about traditional practices and his preference for a more tangible, less mystical solution. The story concludes with Askar preparing to face the consequences of his choices, leaving readers intrigued about his fate.

2

Askar, driven by the desire to become a man and participate in the liberation war, takes up the act of shaving, thinking it will make him more mature. In the process, he cuts himself and uses various after-shave lotions, talcum powder, and even contemplates spraying on his armpits. His growing obsession with physical changes and the pressure to mature quickly leads him to overeat, causing him to vomit. Misra advises him to eat more to grow faster, drawing a parallel between his growth and the tree planted on the day of his birth. Askar, fueled by the dream of becoming a warrior for his mother country, indulges in excessive physical activities and experiences peculiar dreams of a lush garden and a mysterious woman. To his bewilderment, he wakes up with blood on his groin, and Misra informs him that he has started menstruating. Despite his initial denial, Askar is determined to embrace his manhood and continue his journey towards becoming a warrior.

3

Askar confronts Misra about the blood on his groin, speculating if he menstruated in a dream. Misra suggests it might be stress-related. Askar contemplates bodily functions, mentioning a man who urinated blood. Misra questions his preference for illness over femininity, but Askar asserts his choice, claiming it's understandable as he's a man.

4.

In a war-torn environment, Askar questions Misra about women and children leaving Kallafo. Misra explains that in times of war, families send women and children away for safety. The conversation turns tense when Askar rejects Misra's help in bathing, asserting his independence. Askar harbors secret involvement in guerrilla training, emphasizing his newfound ability to kill. A bomb falls, separating them briefly, revealing their contrasting reactions to danger. Askar urges Misra to scrub off the dust, but another shell falls, unveiling a crowd of women and children ready to confront the enemy. Askar joins them, driven by a sense of duty.

5

Askar engages Misra in a discussion about Somalia while she prepares a chicken. Misra, initially puzzled, points eastward and later divines the future using meat. She predicts that Askar will travel to Mogadiscio, encountering death and distress. As Misra speaks, Askar, excited about the prospect of traveling, tastes blood in his mouth, reminiscent of a past incident. The divination foretells a journey for Askar and raises an ominous atmosphere with hints of death and disaster. Meanwhile, Karin, seeking charity, witnesses the unfolding divination. The scene unfolds with symbolic elements, such as Misra's hands stained with blood and the egg symbolizing life within death. Askar's apprehension about tasting blood adds a layer of mystery to the unfolding events.

6

In his dream, Askar places his bed under a bombed opening, cradling a carved stick gift from the boy raped by the Adenese. The dream unfolds with his dream garden losing vitality, devoured by fire and wind. Terrified, he believes the flames will consume him until rain interrupts. As he wakes, he feels a sense of urgency, realizing his motherland needs him. He attempts to wake Misra but notices his "rifle" pointed at her, choosing not to disturb her. Outside, in a dark night, he hears of a fire on the "enemy hill," and despite others rushing towards it, Askar feels sorrow for Misra.

Interlude 

In this interlude, the protagonist reflects on leaving Kallafo for Mogadiscio during a time of war. Uncle Qorrax entrusts him to a man, providing a letter for his maternal uncle, Hilaal. The protagonist is torn between guilt for leaving Misra behind and excitement for the journey. As the lorry departs, Misra's distress is evident, and the protagonist struggles with conflicting emotions. The narrative explores themes of departure, national identity, and the impact of war. The journey is marked by nationalist songs, symbolic gestures, and a sense of hope as they approach Feer-Feer, where the Somali flag is raised, signaling victory and celebration. The interlude captures the complexity of emotions and experiences during a significant transition.

In this interlude, Askar remembers opening an envelope given to him by Uncle Qorrax's escort, which contained notes in Italian written by his mother. He couldn't read most of it, but saw dates and Uncle Qorrax's name. He also remembers a dream-like encounter with a young girl who had no name, country, or parents, and only claimed a shadow as her own. She led him to a river where they drank water from a human skull. Askar woke up to shouts of joy announcing their arrival in Xamar, the capital of Somalia. The man who had been entrusted with him assured him that he wouldn't leave him until he was in the right hands.

𝘾𝙝𝙖𝙥𝙩𝙚𝙧 𝙎𝙚𝙫𝙚𝙣

1

This chapter of the novel "Maps" by Nuruddin Farah follows Askar as he arrives at his maternal uncle Hilaal's house in Mogadiscio. Askar is struck by the physical resemblance between Hilaal and his mother Misra. He is shown to his room by a maid and is overwhelmed by the new world he finds himself in, with bathrooms, showers, and running water. The maid offers to help him shower and wash his clothes, but Askar feels uncomfortable and shouts for Hilaal when she tries to undress him. Hilaal comes to the room and the chapter ends with the introduction of a woman named Salaado.

2

Askar, initially arrives shy and withdrawn in the lives of Hilaal and Salaado. They patiently wait for him to open up, sensing another aspect of him hidden in silence. Askar, affected by his war-torn past, keeps his thoughts about his mother, Uncle Qorrax, and Misra to himself.

During this period, Askar remains silent but reads voraciously. Hilaal and Salaado encourage him, reading to him at night and slowly breaking his silence. Eventually, Askar shares his mother's journal with Hilaal, leading to a revelation about Uncle Qorrax's cruelty and the impact on his mother.

Askar becomes more expressive, recounting his experiences with Misra and Aw-Adan. Hilaal and Salaado, impressed by his strength, declare themselves a family with him. Askar's revelation prompts them to share their own story about infertility, societal expectations, and the challenges they face.

Askar, Hilaal, and Salaado drives in silence after the revelation, creating an air of bewitched contemplation.

3.

Askar quickly develops a fondness for Salaado, finding comfort in her presence and making her his preferred teacher. Uncle Hilaal initially handles household chores traditionally associated with women, causing initial discomfort for Askar. However, he eventually accepts this reversal of roles and feels part of a unique family.

Salaado's beauty and elegance deeply impact Askar, and she becomes not only a teacher but also a guide to understanding his origins. Uncle Hilaal's comforting and authoritative voice influences Askar's actions, but it overwhelms him during academic queries. Askar struggles to express the intensity of Hilaal's voice, comparing it to the fading beauty of the world in comparison to Salaado's presence.

4.

Askar entertains the idea of teasingly pulling at Uncle Hilaal's small and cute nose, attributing his hesitance to Hilaal's commanding voice, stored in his memory for future use.

Uncle Hilaal discusses ethnicity and nationality, emphasizing Ethiopia's generic nature and Somalia's specificity. He explores the challenges of ethnic diversity in African countries and the implications of recognizing specific ethnicities.

Salaado seeks clarification about Abyssinia's generic name. Uncle Hilaal explains its link to the Arabic word "Xabasha," meaning Negro. The conversation delves into the Horn of Africa war, emphasizing the clash between generic and specific concepts.

Uncle Hilaal underscores the uniqueness of the Somali case and the challenges in achieving their nationalist goals. The discussion touches on fears of secessionist movements in other African countries and obstacles faced by ethnic minorities.

Askar reflects on the impossibility of teasing someone like Uncle Hilaal, whose life embodies profound ideas and whose voice surpasses any mansion. Uncle Hilaal's contradictory roles as a "Mother" figure to Askar and Salaado add complexity to their relationship. Askar recalls past conversations, including his inquiry about Uncle Hilaal's secluded study, pondering the satisfaction of the received answer.

5.

Uncle Hilaal's study is filled with books related to the psychological effects of war on children and women. He patiently listens to Askar's experiences and later explains cartographic distortion. Askar surprises him with a theory about the continent shrinking due to people eating its earth. Excited, Askar shares a unique menstruation experience and Uncle Hilaal, disturbed, burns his research papers, realizing he had been moving in the wrong direction, stating, "Wars are rivers that burn."

6.
Uncle Hilaal's revelations about Salaado's and his personal tragedies intertwine with the broader horrors of war. The narrative navigates through blurred timelines, discussing the heartbreaking struggle with Salaado's repeated pregnancies, each ending in the loss of a child. Askar recalls his insensitive comment about swapping bodies, linked to Misra's mastectomy.

The narrative vividly portrays war-induced mutilations, amputations, and organ removals, shaped by media reports, gruesome stories, and firsthand encounters. Maimed bodies, amputated hands, and removed organs become symbolic of wartime atrocities. The resilience of survivors and heroic tales juxtapose with the harsh realities of war.

The narrative questions life's sanctity amid war's brutality, pondering rituals like ablutions or prayers before death. Concepts of martyrdom and rebirth are juxtaposed with war's grim realities. Irony is added with mentions of cleanliness and rituals before death in the chaotic and fragmented tales.

As the narrative unfolds, readers reflect on memory, perception, and war's enduring impact. Artworks, including naive paintings and Picasso's Guernica, introduce symbolism, inviting contemplation on the nature of remembrance and conveying war's complexities through art.

Ultimately, the narrative leaves the question open-ended, emphasizing the subjective nature of memory and the individual's role in interpreting and preserving war stories.


𝘾𝙝𝙖𝙥𝙩𝙚𝙧 𝙀𝙞𝙜𝙝𝙩

1

Chapter Eight reveals Israawi's reflections on Mogadiscio amid the climax of the war, contemplating a visit to Kallafo. Falling ill with malaria, he remains unaware of the significant events during "The Tragic Weekend," where the Ogaden is reclaimed by Ethiopian forces.

Uncle Hilaal anticipates an influx of refugees post-war, highlighting the loss of the Ogaden as a pivotal tragedy. Israawi, in his fever-induced state, questions the sanctity of life amidst war's complexity.

The narrative explores post-war Mogadiscio, inundated with refugees, straining resources. Israawi contemplates his identity papers, acknowledging his dependency on Uncle Hilaal and Salaado, pondering a potential permanent stay in the Republic.

Israawi decides not to delve into sensitive topics about his parents and Misra. Reflecting on Misra's Oromo identity, he finds relief aligning with his ethnic origin on upcoming papers, hinting at unresolved mysteries.

2

Uncle Hilaal surprises Israawi with his identity card, a precious possession. Israawi contemplates its significance, realizing he is no longer just a refugee. As he examines the details, questions about Misra's potential identity card arise.

Later, a tutor, Cusmaan, insists on reinforcing Israawi's refugee identity, emphasizing a return to the Ogaden as a liberator. Salaado and Uncle Hilaal, however, prioritize his education over political ideologies. Israawi, in his introspection, delves into the political implications of reading and writing.

The identity paper gains more importance as Israawi notices "Somali" under "Nationality," prompting him to question whether he should discard his refugee label. Seeking clarification from Uncle Hilaal, Israawi engages in thoughtful exploration amid the complexities of identity and political influence.

3.

Uncle Hilaal imparts wisdom, defining Somali identity rooted in language rather than appearance. Israawi, intrigued, questions the possibility of Misra obtaining Somali nationality papers. Uncle Hilaal believes her linguistic proficiency could secure it, emphasizing the shared national identity among Somalis.

Israawi further queries the distinctions imposed on Somalis in different regions. Uncle Hilaal, expressing concern for those in the Ogaden and Kenya, labels them "unpersons," lacking what strengthens the self. Israawi refrains from asking about the term "unperson," pondering deeper questions about Misra's identity and the potential classification of himself and others.

4.

Israawi shares his experiences with Cusmaan, his self-appointed tutor focused on rallying Somali youth for the liberation of the Ogaden. Despite Cusmaan's passionate political speeches, Israawi is more intrigued by the secret world they build, sharing pornographic magazines and English lessons.

Uncle Hilaal provides a contrasting perspective, linking written traditions to power and exploring the historical conquests where knowledge prevailed. Israawi reflects on the influence of Misra, Salaado, Cusmaan, and Uncle Hilaal on shaping his thoughts and views on the clash between oral and written traditions.

As discussions unfold, Israawi delves into questions about the impact of conquerors imposing alien learning, language, and culture on the conquered. He contemplates historical examples, like the Fulanis of West Africa, adopting the language and culture of the conquered. The narrative concludes with Israawi grappling with the disintegration of his cosmos, symbolized by Misra's perceived betrayal.

5

Uncle Hilaal reflects on the disorienting impact of wars, cautioning about hasty conclusions regarding Misra's alleged betrayal. Israawi, caught between conflicting loyalties, grapples with the choice of betraying either Misra or his mother country. Memories of past conversations with Misra, Cusmaan, Salaado, and self-contemplation intertwine, creating inner turmoil.

Many years have passed since Israawi last saw Misra, and he contemplates the mysteries surrounding her actions. As he stands at the crossroads, torn between joining freedom fighters in the Ogaden or pursuing studies at the university, uncertainties loom. The narrative captures the complexity of personal, political, and moral dilemmas, leaving Israawi in a state of sadness and questioning the truth of the accusations against Misra.


𝘾𝙝𝙖𝙥𝙩𝙚𝙧 𝙉𝙞𝙣𝙚 

1

Misra's betrayal and involvement with an Ethiopian soldier deeply affect Askar, causing both physical and emotional turmoil. His reactions range from weakness and temperature fluctuations to vivid imaginings of violent events. As Karin discloses the details, Askar's composure alternates between calm acceptance and internal distress.

The change in Misra's name, from "Misra" to "Misrat," stirs memories of its significance, intensifying Askar's internal conflict. His struggle extends beyond the shocking revelations to the alterations in Misra's identity. As he grapples with the emotional impact, he questions the meaning behind the name change, reflecting on the subjective nature of language.

The narrative portrays Askar's complex reactions, highlighting his challenge in reconciling the personal connection with Misra and the unsettling truths about her actions. Themes of betrayal, identity, and the profound impact of personal relationships unfold against the backdrop of larger political turmoil.

2

Askar undergoes profound turmoil after learning about Misra's actions. He walks in his sleep, unable to hold coherent thoughts. Hilaal questions Misra's character, using harsh labels, but Askar remains silent. The narrative delves into historical prejudices against women, highlighting societal biases. Hilaal's storytelling about a man, a woman, and a dog serves as a metaphor for misjudgments and misconceptions.

The story challenges assumptions, revealing that the woman is faithful, the dog is not as fierce as perceived, and the stranger is not a wicked criminal. Hilaal emphasizes the impact of prejudices on understanding, drawing parallels to Askar's situation. The narrative suggests the need to question preconceived notions, urging Askar to think beyond scientific evidence in evaluating Misra.

Askar, lost in his reflections, decides that Misra's influence in his life has spiritually died. The text explores the complexity of confronting Misra, contemplating her true name and the possibility of betrayal. As the sun's light breaks into particles, symbolizing shattered selves, Askar wrestles with emotions, contemplating meeting Misra again. The story then leads his poignant question to Misra and the voices of dawn, encapsulating the emotional turbulence he experiences.

3.

Askar, faced with Misra's changed demeanor, experiences discomfort in their reunion, accentuated by Uncle Hilaal and Salaado's presence. His internal conflict deepens as suspicions about Misra's authenticity and his reluctance to engage physically with her emerge.

A dream serves as a metaphor for Askar's complex emotions towards Misra, depicting a struggle to be born while trapped inside a woman. Misra's unexpected visit disrupts Askar's equilibrium, leading him to question her motives, with palpable discomfort in the room witnessed by silent onlookers.

Unable to confront Misra directly, Askar withdraws from the conversation, delegating it to Uncle Hilaal and Salaado. The encounter leaves him unsettled, grappling with conflicting emotions and unanswered questions surrounding Misra's sudden reappearance in his life.

4

Misra's tale unfolds, revealing the stark contrast with Askar's life. Accused of betrayal, she recounts a harrowing assault by those branding her a traitor. Despite her diminished stature, Misra maintains integrity, denying any betrayal. Salaado and Hilaal empathize, grappling with her harsh ordeal.

She details the tragic fate of Ogaden's freedom fighters after Russian intervention. The death toll and torture add gravity to the situation. Misra's revelation of rape leaves Salaado and Hilaal speechless, empathetic yet contemplative.

Exhausted, Misra agrees to rest in the guest room, concluding this heart-wrenching chapter. The room lingers in heavy silence, echoing the weight of her suffering.

5.

Askar reacts ruthlessly, dismissing Misra's tragic stories as mere scars of war. He demands proof of her innocence in betraying freedom fighters, showing a callous attitude towards her suffering.

Salaado challenges Askar's irreverence, highlighting his disrespect towards Misra, who had once been like a mother to him. The unexpected blow forces Askar to confront his insensitivity and see Misra as a victim.

Misra's predicament unfolds as she fears reprisals and refrains from joining refugee camps due to her disguise. Hilaal offers to register her as a dependent, and Salaado expresses concern about Misra's health, noting her prediction of imminent death.

Askar's severe stare reveals his internal turmoil, disturbed by the unfolding situation. Misra quietly enters, and Askar, unable to face the reality, abruptly leaves without a word. The room is left in an uneasy silence.

6

The doctor hints at a possible malignant tumor in Misra's left breast, and surgery may be necessary. Salaado confides this news to Askar in Italian, and he seems indifferent, causing tension among them.

Salaado tries to ease the atmosphere, asking Misra if there's something specific she wants to see in Mogadiscio. Askar intervenes, suggesting a trip to Jezira, including Misra. They prepare for the outing, and Salaado mentions Misra's suspected illness without directly telling her.

Askar's condescending tone surfaces as he addresses Misra, treating her like a child. They discuss Misra's passion to live and her wish to see the ocean. Misra reveals a desire to see a shark, and while Salaado finds it imaginative, Askar and Hilaal have different reactions.

Salaado suggests going behind the Xamar Slaughter House to see a shark, sharing a story about a woman who attracted a shark while swimming during menstruation. Misra sulks in response. Despite the tension, they set out for Jezira, with Salaado driving, Hilaal beside her, and Misra and Askar in the back, their connection evident in the rearview mirror.

𝘾𝙝𝙖𝙥𝙩𝙚𝙧 𝙏𝙚𝙣 

1

In your house now that Misra was also there, you spent less time, often staying quiet as a trespasser, showing up occasionally, your whereabouts at times a mystery. Hilaal and Salaado, caught in a moral dilemma, prayed for understanding between you and Misra. The mention of Karin led to a poignant realization about the nature of deep friendships.

Salaado provocatively suggested that your demeanor resembled someone in love, planning to take a girl named Riyo to the war front. Defending yourself with eloquence, you related a proverbial tale of a coward with numerous clubs. Hilaal admired your storytelling.

As tensions rose, the atmosphere thickened. Salaado, perhaps too involved in your affairs, pressed about your plans, specifically mentioning shooting practice. The bulb above you burst, plunging your side into darkness. Reflecting on the impermanence of bulbs and life, you engaged in a philosophical exchange with Hilaal. Salaado invited you to stay for dinner before attending a mingis ceremony next door.

The impending meal would bring you all together, with Misra sitting awkwardly, and Hilaal advocating eating with fingers. Something seemed to be changing in Salaado, causing unease in you. Hilaal urged everyone to go and cook.

2 and 3

As Salaado chopped onions, forgetting Hilaal's advice, she ended up teary-eyed. Hilaal, offering her a napkin, remarked on how people tend to ignore advice after years of living together. Glancing at Misra, he amicably suggested she season the meat and proposed leaving both of you alone in the kitchen. Misra and you engaged in light conversation, avoiding sensitive topics. When Cusmaan, your former tutor, arrived, introductions were made, and he presented you with a booklet on car repair.

Cusmaan and Misra exchanged pleasantries, defusing any tension, and the atmosphere became lively. Hilaal volunteered to finish cooking while you chatted with Cusmaan. Observing Misra's discomfort, you discovered she had started her period. The narrative then shifted to a discussion about literature, with Cusmaan comparing Amharic and Somali literary traditions.

As the conversation unfolded, Hilaal delved into historical and literary theories, discussing figures like Sayyid Mohamed Abdulle Hassan and Menelik. Misra, facing physical discomfort, had retreated momentarily. When Salaado returned alone, she explained that Misra, being a woman, needed a break but intended to join you. The mingis ceremony drumming signaled the need to leave, prompting Misra to suggest departing.

4

You found yourself in a room witnessing a shamanistic ceremony for a neighbor's wife who had been ill. The ritual involved sacrificing a white-tailed sheep, smearing blood, and three days of dancing and singing to expel evil spirits. The neighbor, a wealthy Xamari, was willing to incur the expenses for his beloved wife. The narrative described the intense ceremony, with the priest-doctor challenging the possessed woman and demanding the spirit's identification.

Misra, attending with you, surprisingly understood the non-Somali chants. The woman danced tirelessly as the priest-doctor tried to force the spirit to reveal itself. When the woman finally spoke, she identified herself as Deeqo Amin. The priest-doctor continued to question her about her life, husband, and children, exposing the spirit's envious motives.

The ceremony prompted you to ponder the complexities of identity and the possibility of different entities residing within individuals. As the priest-doctor unveiled the spirit's story, you became more fascinated by the unknown potentials of the world around you. The narrative left you contemplating the mysteries of existence.

5 and 6

In this section from Nuruddin Farah's "Maps," the narrator describes a post-apocalyptic scenario where a flood has occurred, and the protagonist is floating towards the sea. The flood marks the end of the world, and people believe there will be no more rebirths or renewals. The protagonist encounters a mysterious old man who gives them a knife. The narrative shifts to the protagonist swimming alone in the sea, encountering a young boy washing a human skull. The boy explains that the skull belonged to a man who committed heinous acts, and the protagonist reflects on the complexities of life and death.

Later, the story transitions to the protagonist visiting Misra in the hospital, who has undergone a mastectomy. Misra expresses paranoia about the nurse and shares her fears of being targeted due to her background. The conversation turns intense when Misra asks if the protagonist would seek vengeance on her behalf. The section ends with Misra revealing that Aw-Adan accused her of betrayal, causing a powerful emotional response.

7 and 8 

The narrator shares a completed drawing with Uncle Hilaal and Salaado. The drawing depicts various scenes, including an Adenese-looking man with a hen, young boys waiting, a large woman with four squares representing different images, and an ocean with a festive crowd. The drawing also includes a solitary star displaying three points and a young man with a gun and a woman in pain. The narrative shifts to the protagonist bringing a girl named Riyo home, and they discuss maps, books, and the possibility of the protagonist leaving for the war front. Riyo expresses concern about the dangers of war and sweetly listens to the protagonist's stories. The narrator later invites Riyo to visit Misra in the hospital without disclosing the reason for Misra's hospitalization.

𝘾𝙝𝙖𝙥𝙩𝙚𝙧 𝙀𝙡𝙚𝙫𝙚𝙣 

 1 and 2

In this chapter, the narrator describes a surreal experience of eating the sky like a delicious steak with a star as icing. The protagonist is in a hall, surrounded by familiar voices, and realizes the inadequacy of language to communicate the strange reality they are experiencing. The protagonist then goes outside, reflecting on the need for a different approach to understanding this new world.

Later, the narrative shifts to the protagonist's encounter with Misra at the ocean. The protagonist is in love with Misra and witnesses her caring for fishes, including feeding them with her blood. Misra expresses concerns about threats from people in Kallafo. The protagonist reassures her and shares a moment of embrace with her.

The second part introduces a mysterious taste of blood in the narrator's mouth, leading to contemplation about whether to share this with others. Uncle Hilaal questions the truth in the maps the protagonist draws and engages in a philosophical discussion about the nature of truth and its relationship with maps and changing perceptions.

Uncle Hilaal mentions Arno Peters and Eduard Kremer, highlighting the distortions in traditional maps that perpetuate Eurocentric biases. The conversation touches on the importance of the Ogaden to Somalis and its differing significance to Ethiopian map-makers. The narrator reflects on the complexities of truth and perception in mapping.  Uncle Hilaal invites the protagonist to accompany him to visit Misra.


3 and 4

Amidst rain and uncertainty, Uncle Hilaal and the narrator contemplate Misra's disappearance, considering kidnapping due to suspicions. Regret sets in as they realize their lack of proactive inquiry about her situation.

At the hospital, the nurse describes Misra leaving with three men seemingly willingly, leaving Uncle and the narrator perplexed about her motive.

With limited options, Uncle considers involving National Security for Misra's safety. Meanwhile, the narrator's mysterious taste of blood adds another layer of intrigue.

The narrative shifts to an intellectual discussion on bodies and psychological theories between Uncle and the narrator. Uncle emphasizes the connection between truth and the body, incorporating humor about the unpredictable nature of sex.

They decide to return home to Salaado, hoping for insights. Salaado's pragmatic approach contrasts with the earlier intellectual discourse. She efficiently handles the car issue, emphasizing the disparity between grounded practicality and earlier philosophical discussions.

5 and 6

In this section from Chapter 11 of "Maps" by Nuruddin Farah, the narrative revolves around the mysterious disappearance of Misra, and the characters' reactions to the unfolding events.

The passage begins with the return of Salaado, finding the narrator busy drawing in his room. Salaado brings greetings from Riyo, revealing that she and Riyo had met. The conversation takes an unexpected turn as Salaado shares Riyo's observations about the narrator's gaze, describing it as elegant and gallant. The narrator learns that Riyo and Salaado discussed him, leading to an exploration of the impact of his gaze on women.

The story then shifts to an intellectual discussion between Uncle Hilaal and the narrator about the significance of bodies and their connection to psychological theories. Uncle Hilaal delves into the role of sex in human relationships, societal norms, and the influence of sexuality on individuals. The conversation adds depth to the narrative but contrasts with the narrator's reluctance to engage deeply in psychological theories.

As the characters discuss Misra's disappearance, the narrator experiences an odd taste of blood in his mouth, creating a sense of mystery. Concerned about a potential connection between this sensation and Misra's situation, Uncle Hilaal examines the narrator's mouth for clues but finds none.

The narrative then transitions to a conversation about the significance of bodies in psychological theories. Uncle Hilaal shares his belief that truth is tied to the body, connecting it to various aspects of life, including relationships and societal structures. The conversation takes a humorous turn as Uncle makes a remark about the unpredictable nature of sex.

The characters decide to return home to Salaado, hoping for insights into Misra's situation. Salaado, portrayed as pragmatic, expresses frustration with the men's handling of the situation and efficiently addresses a car issue, contrasting with the earlier philosophical discussions.

The chapter concludes with the juxtaposition of intellectual discourse and practical problem-solving, reflecting the complexity of human experiences and the unpredictable nature of life.


𝘾𝙝𝙖𝙥𝙩𝙚𝙧 𝙏𝙬𝙚𝙡𝙫𝙚 

1 and 2

In this chapter from "Maps" by Nuruddin Farah, the narrative unfolds two days after an eclipse, depicting a period of primeval darkness and people seeking refuge in communal activities. The eclipse serves as a catalyst for various reactions in the community, including prayer, acts of kindness, and immediate decisions like proposing marriage.

As the story progresses, the focus shifts to the deteriorating mental and physical state of Uncle Hilaal, who experiences depression and migraines triggered by the eclipse. Askar, the narrator, becomes attentive to Hilaal's condition, acting as a caregiver and expressing concern about his well-being.

Hilaal's depression is contrasted with Askar's memories and dreams. Askar recalls a vivid dream of a garden where he is entertained by symbolic figures, including a vulture and a she-dog. The dream transitions into a surreal scene with Misra, who becomes a ruler in a land of games and maps, symbolizing complex narratives and hidden meanings.

The dream sequence continues with a procession involving the Adenese, Uncle Qorrax, and Misra. Each character plays a symbolic role, and Misra, appearing regal, waves to Askar. The dream blurs reality and symbolism, reflecting the intricate nature of memory and consciousness.

The narrative further explores Askar's inner thoughts, including the taste of blood and guilt associated with Misra. The dream-like sequences provide a glimpse into Askar's psyche, intertwining past experiences, present concerns, and symbolic representations.

As the dream progresses, a conversation between Askar and Misra unfolds, discussing the notions of death and memory. Misra emphasizes the importance of residing in someone's memory after death and poses a reflective question about the intertwining of death and memory in Askar's thoughts.

The section concludes with Hilaal knocking on Askar's door of sleep, prompting a transition from the dream world to reality. 

3 and 4

Askar discovers the tragic events surrounding Misra's death and the handling of her body. Unaware at first, Askar falls ill and is admitted to the hospital where Misra's body is kept. Salaado and Hilaal, concerned about traumatizing Askar, decide not to reveal the details of Misra's mutilation and suspicions of foul play.

Upon learning about Misra's mutilation and the missing heart, Askar remains composed. Salaado and Hilaal admit to bribing mortuary technicians to maintain silence. Askar insists on knowing the details, leading to a tense moment as Salaado recounts overhearing a conversation about Misra's unclaimed corpse.

The narrative explores emotional and moral dilemmas, touching on the decision to withhold information and the ethical implications. Askar's calm inquiry adds suspense to the story,  a poignant hug is presented symbolizing their shared struggle and the weight of their secrets. The emotional intensity underscores the novel's exploration of memory, loss, and complex relationships. 

Back home, Askar confronts the absence of Misra and grapples with unanswered questions. He contemplates the reflection of his face in the mirror, questioning Misra's existence and the intricacies of memory. As he studies maps, he reflects on the geopolitical changes in Somalia and the sacrifice entailed in life.

Salaado and Hilaal invite Askar to join them in buying a sacrificial goat. Salaado, influenced by newfound religious fervor, emphasizes the symbolic act of sacrifice. Askar delves into thoughts of sacrifice, associating various characters with symbolic sacrifices in life.

Suddenly, police officers arrive, questioning Askar about names linked to him. The constables lead Askar, Salaado, and Hilaal to the nearby Giardino police station. There, Askar begins narrating the story of Misra, facing police inquiries and feeling the weight of time on his face. As the story unfolds, Askar becomes both the defendant and the narrator, revealing the complexities of his journey.


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